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Non fighting scenes are usually accompanied by wind and stringed instruments.įighting scenes make great use of percussive effects (drum, gong, cymbals & clackers) Musicians, playing wind, stringed and percussion instruments. The music ensemble which accompany the opera usually consists of 6 - 12

Nonetheless it was quite an intensive training with 3 hours of daily one to one sessions with Liu Fusheng, specialising in the warrior role, weapons work and movement aspects of the art form.Īlthough there is a specialisation of roles, a full training in Peking Opera encompasses more than just the movement and martial aspects of the opera's many facets.Īmongst the elements which it incorporates are: For myself it was merely a 1 month visit. Rachel returned to China to train full time, and it was through her that I arranged my visit to train at the Academy of Chinese Opera in Beijing.įull time students usually attend the Academy for 4 years or more, after many years of prior experience. These had many connections to the Tai Chi and martial arts which I had practised for many years and yet at the same time were so different, having a flavour all of their own which was distinct from anything else that I had come across.

The more I saw, the more I was fascinated with the movement and weapons skills. I learnt some spearwork from Rachel and then later trained with her teacher Liu Fusheng on a couple of visits which he made to teach and perform in Europe. My first contact with it had been in 1992 when I met Rachel Henson who had just returned from training in China.

PEKING OPERA TRAINING IN CHINA PEKING OPERA TRAINING IN CHINA John BolwellĪmused surprise was many people's reaction upon hearing that I was going to China to study Peking Opera.